Taking Chances, a Leap of Faith

Bass Harbor Light               Bass Harbor Light    watercolor   image 14.5″ x 24″

Recently a reader asked to see a larger rendition of this painting. Here it is.  This piece has a bit of history and I’ll elaborate on the title of this article about taking chances. But first a little history.  Up until recently, after a world journey, this painting was hanging on a  collector’s wall.  We have had a great relationship for many years  and he and his wife had moved into a new place. They decided they wanted to upgrade to a larger painting. I don’t normally do trade ins but this was a special situation.

1985

Bass Harbor Light was painted in the fall of 1985 and appeared in a few articles and one of my books. . It began on a rock below the light and was finally finished in my studio. Bass Harbor Light was in a number of juried exhibitions and won several prizes. It traveled to Japan and toured a portion of the country. A noted collector in Japan attempted to purchase the piece only to be insulted by a State Department employee who stated that the exhibition was for “cultural enrichment” and not for crass monetary gain!  News to me!  We attempted to heal the wound to no avail.

Taking Chances

Now to the real story.  In 1985 I was younger and very athletic, training in classical Japanese full contact karate on a constant basis. I had started writing my first book entitled Mastering Glazing Techniques in Watercolor.  I had traveled to New England and the Maritimes with my wife and children to do my research. I made many sketches and took numerous photos for reference as well as spots for the book.  I returned home only to find that my camera had largely malfunctioned. I had no choice but to return to Canada in late summer, early fall. All of the vacationing people had left.  School had started so my wife and children had to stay home. I took my aging parents since they were too old to travel alone. Late September we arrived on our return at Bass Harbor Light. I could see photos everywhere in all of the usual places that sell to tourists.  I wanted to paint the spot but I DID NOT want to copy someone else. It was late afternoon and the park was about to close and I was standing on the observation deck trying to stretch a bit to get just the right angle. Mom and Dad saw the sign, realized that it was closing time and began the trek back to the car.  I promised I would be along in a moment.

Leap of Faith?

Was it a leap of faith or just plain dumb? In a moment of clarity I realized that the best angle was beyond the range of the deck. No one was looking so I went over the rail. With camera slung around my neck and a sketchbook tucked under my right arm I took a mighty leap. I have heard some psychologists say that “jumpers” experience a moment of regret  as they take their final leap. That may be true for suddenly airborne I began to question the sanity of my decision. The boulder that was several feet from the observation deck was about 10 feet below me and coming up fast. Thankfully, my landing was secure I got my sketches and photos. Later I climbed out with ease.

The Quality of the Light

If you live near the sea you know about that wonderful salty veil that diffuses the light. It is glorious.  You can feel it, you can taste it! This was a perfect moment for capturing  that late fall afternoon quality of light. The glazing technique worked well.  After settling on refining the composition to get the design effect I wanted; I began with several layers of wet ‘n wet New Gamboge washes over the entire sheet except for the highlights on the house. I was careful to allow each wash to dry thoroughly. The darker layers of Winsor Red, New Gamboge and Winsor Blue were mixed to create the darker washes and were layered in sequences. No masking was used on any area. I merely painted around some spots and used clear water to blend and bleed some spots.

Reflection

This will always be a special painting for me and I’m happy to give it a temporary home until someone else comes along and falls in love with it. Was it worth it? I think so. Would I take that leap again?  Probably not, I’m past 70 now and my bones and muscles don’t react the same way these days. Why am I telling this story?  I suppose the real question is what is your level of commitment? Now please don’t got jumping off high places because of my story. In the passion of the moment I took a leap. I must add that I had had a bit of experience  with rappelling so it was not my first encounter with high places. In hindsight it was a dangerous move.  However,  I did have a great experience.       .

ARTISTS ON THE BLUFF presents Don Rankin and David Rankin ..Opening Reception Thursday, May 7, 2015- 6PM-8PM  http:www.artistsonthebluff.com 205-637-5946  

raven tableDSC_0189_298Barking Up the Wrong TreeWhite Raven, oil

David Rankin

Down in the Hollow, watercolor

Don Rankin

Want to know more about watercolor glazing techniques?  Mastering Glazing Techniques in Watercolor Volume 1, Revised Edition is available direct from the artist at http://www.createspace.com/3657628 .

Want to study at your own pace from home? Visit http://www.Udemy.com/mastering-glazing-techniques-in-watercolor    Enjoy over 2.5 hours of watercolor tutorials broken into easy to learn segments. Most segments rarely over 10 minutes in length.

About masteringglazingtechniquesinwatercolor

Watercolor painter and author of several watercolor books on painting technique. Recent inductee/recipient of the Marquis Life Time Achievers Award.

Posted on April 24, 2015, in Don Rankin watercolors and tagged , , , , , , , . Bookmark the permalink. Leave a comment.

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