Monthly Archives: January 2016
The Orchard 20″ x 16″ Ruscombe Mills, Cold Press watercolor paper
This is the latest effort to capture the beauty and the mystery of this orchard. I confess that as I age I take more time to hit upon a subject. I want to soak up the subject and then attempt to interpret my feelings for that subject. Compulsion? Yes. Yes, I paint the things that compel me to paint. Sometimes they nag at my mind much like a gnat or a fly often worries you when you are outside. Finally, at some point you just have to do something about it! Perhaps some will take offense at my analogy but that is the best way I know to describe my experience. I offer this analogy because I am accustomed to getting inquiries from interested parties wanting to know why or how I choose subject matter. Well, I don’t choose. I really believe it chooses me! Illogical? For some perhaps, but for me it makes perfectly good sense.
I grew up in a rural area; barns, livestock, orchards and woods were my everyday existence. These days I find myself appreciating those “good ole days” more and more. I don’t see it as escapism. Instead I see it as paying homage to the wonderful experiences I have been provided. There is something wonderful about being surrounded by nurturing plants or trees in a garden. There is a freshness there, a promise of life.
For this subject I chose to use a multiple colored under painting. The blue is Holbein Marine Blue, the green is M. Graham Sap Green, the red is Winsor & Newton Perlyene Maroon. A careful examination will reveal the location of each color. The early strokes are preliminary shapes. Many of those shapes go through modification and improvement as the painting progresses. At any rate, they provide a foundation for location of painting elements but even more they act as a guide to elements of composition. At this stage everything is very fluid and can be modified by stronger washes. While there are a few small spots of intense color most of the washes can easily be modified. So at this stage I have a combination of light and dark as well as the movement of light. The stage is set. I confess that I spent more time on the under painting than I did on the rest of the painting. I’m not totally sure why I allowed this to happen. I would like to think that I was planning and composing the final work in my mind. There are some pencil marks, outlining a few limbs. However most of the work consists of painting negative shapes and allowing those shapes to suggest limb placement. Tedious? For some people the answer is definitely. However, if you are in love with your subject and you are compelled to capture the essence then, no, it is not.
The Beauty of Freedom:
At this time we have not completely lost the ability to choose our personal painting path. I always advise students to learn all they can from various sources; then do the hard work of allowing YOU to shine through your work. Easy to write, often very hard for many to accomplish. Use what works for you.
For a while now I have had online classes on Udemy.com. The Orchard will soon appear as a new tutorial on watercolor glazing techniques. We are currently editing and hopefully it will be posted rather soon. If you would like to take a peek you can check the Udemy.com site. As of today we are editing so it should be ready in a week or so. I hope I don’t regret being optimistic!!
Want to know more about watercolor glazing? You can order Mastering Watercolor Glazing Techniques, Volume I by Dr. Don Rankin at http://www.createspace.com/3657628
The Antique Shop, a remastered classic now on DVD is a step by step demonstration of Don’ s use of the glazing technique as well as tips on selecting and composing the scene. Available now at http://www.createspace.com/350893
Study with Don Rankin at your own pace online at Udemy.com Over two hours of short tutorials on the basis of watercolor glazing and brush technique. https://www.Udemy.com/mastering-glazing-techniques-in-watercolor.com
On going watercolor classes with Don Rankin every Thursday, except Holidays, at Artists on the Bluff, 571Park Avenue, Bluff Park Alabama 35226. Contact Ms. Linda Williams for details. http://www.artistsonthebluff.com Telephone 205-637-5946
UPCOMING WORKSHOP: June 20-24 Cheap Joe’s Art Stuff, Boone, North Carolina
Contact Edwina May for details. http://www.cheapjoes.com’art-workshops
Quite a few months ago I ran across a trailer of a video of John Salminen at work (ccpvideos.com). If you are an avid watercolor painter you already know of John’s ability, especially with urban landscape and much, much more. He was revealing some of his method for dealing with final highlights. While most of us strive to reserve the white of our paper for our brightest lights there are times when either it fails to work out or we need final adjustments to bring a watercolor to a desired conclusion. In the video John revealed a tool that I think he learned about from one of his students. A number of painters are no doubt aware of Mr. Clean’s Magic Eraser. It is not new and there have been those who have written negative reviews fearing that the product contained some ingredient that would be detrimental to paints and paper. John took the initiative to contact the manufacturer and was assured that the secret of the product lies in its construction not in chemical ingredients. This is a simple video not a lot of fancy technique. I provide it for those of you who have not tried the product. My students at Artists on the Bluff have found numerous ways to make use of it.
As a painter you want to always remain open to new ideas and different techniques. I would caution against merely acquiring gadgets for the sake of acquisition. Engage with new ideas and new approaches in order to see what works for you. Be prepared to stumble a bit here and there. At the same time don’t be so open minded that your brains fall out!
This is probably where I digress from a lot of current thinking. I have just stated that one should stay curious and then I mention practicality. What am I trying to say? You really need to know the basics before you reach for the stars. What do YOU know about your paper? Not what have you read about it. How many washes have you applied to your favorite sheet? Do you KNOW by experiences (both good and disappointing) what your chosen paper will do? So you have a favorite paper; have you tried others to compare? The same question applies to your brushes and to your paints. Even more important, are your drawing skills where they ought to be? If not work on them. Learn the basics of your craft. Many students are taught to disregard craftsmanship. That is unfortunate for regardless of your approach competent workmanship should be a part of your goal.
Creating a relationship:
This may sound like a strange sub heading. In reality getting to know your materials is a lot like creating a relationship. By working with your materials you begin to come to know what to expect. While it will not come overnight, it will come provided you are faithful to continue to work. There will be disappointing episodes but that is not all bad. While it may feel like it at the moment you may come to realize that you learn far more from your perceived failures than you ever learn from your perceived successes. It may sting a bit but you learn.
Hang in there:
If you are a committed painter you really don’t need to read this line of encouragement. You already know that your abilities are sharpened by consistent productive work habits. That word discipline comes to mind. You need a schedule, you need to commit yourself to working. For some this is the most difficult thing. If you lack certain skills find a teacher even if it is an online source. Person to person is the ultimate in my opinion. However, in some cases that is not possible. If you have the drive and discipline you WILL find a way.
May 2016 be a prosperous season for you!
Want to know more about mastering glazing techniques in watercolor? Buy: Mastering Glazing Techniques in Watercolor, Vol.I by Dr. Don Rankin direct from the artist: http://www.createspace.com/3657628
Almost 2 hours of a remastered classic now on DVD featuring Don Rankin demonstrating the watercolor glazing technique... The Antique Shop http://www.createspace.com/350893
Join students who enjoy learning watercolor glazing technique with Don Rankin at their own pace at Udemy.com https://Udemy.com/mastering-glazing-techniques-in-watercolor.com
Enjoy personal instruction at Artists on the Bluff in Bluff Park, Alabama. On going watercolor classes with Don Rankin every Thursday, except holidays. Contact Ms. Linda Williams at Artists On The Bluff, Bluff Park, Alabama (205) 532-2769. http://www.artistsonthebluff.com. OR ..firstname.lastname@example.org 205 637-5946